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This is another one I first heard about on NPR. It's very different from My Brightest Diamond, and in a lot of ways it's more my style. There's no really easy basis of comarison, though, so I'll stick to the merits of this one on its own. Again, I know next to nothing about this group. The first time I even heard their name was the NPR review of this album. The review included snippets from two of the songs– "The Island" and "Sons & Daughters"– that are probably the two strongest tracks on the disc. The latter, in fact, is my personal favorite. I have yet to tire of it, and I have no idea how many times I've played and re-played it. This isn't to say that the rest of the album is weak, though. Like my last review, this is an album that has a quasi-concept feel to it, in that it plays very well from start to finish as if it were a whole musical piece in 10 segments. The other track highlighted in the review, "The Island", is itself a three-movement piece (the NPR review excerpted from the second section). And the title track, "The Crane Wife", is in three parts that are divided oddly: Part 3 opens the album, and parts 1 & 2 make up the next-to-last track. Other noteworthy tracks include "Shankill Butchers" and "Yankee Bayonet". The sound reminds me a lot of XTC, with the vocalist coming across a little like Edward Ka-Spel of the Legendary Pink Dots. "Shankill Butchers" really reminded me of some of the simpler accoustic LPD material I've heard in the past. Musically, the group is very tight and clearly very comfortable playing together. There's a moderate progressive vibe running through the album, with some of the songs being a good distance from the "safe" 4/4 beat. I've listened to this one straight through, end-to-end, at least a dozen times since I got it last Saturday. Highly recommended. |
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