I'm more than a little behind in my original
pledge, even despite my burst of
resolve a few months ago. So let me now return to this effort with a
collection of light four-movement suites from the Italian composer Ottorino
Respighi.
I picked this up a few months ago, in a sort of mourning state. I had been looking for this excellent CD I had, that featured Respighi's "Pines of Rome", "Fountains of Rome", and an excellent performance of Moussorsky's "Pictures at an Exhibition". But it seems that the CD was victim to one of the two times my car was broken into. I cannot find it anywhere, even by mail-order. So I happened across this CD while moping around the Respighi section at the storefront I buy most of my classical from (yes, it's a Tower Records, but it has an excellent classical section).
Funny thing is, after the first two or three listens, I wasn't that keen on it, and had decided not to recommend it. But it was "passable enough" to add to my classical play-list of Ogg's (same function as an MP3, no licensing problems) for a while. And as it would happen, it has really grown on me over the last few weeks. I find myself humming along to the principal themes, which not only means I'm enjoying it, but that it's imprinted on my memory as well. So I've decided to recommend this one, after all. It's Respighi, it's Neville Marriner conducting the Los Angeles Chamber Orchestra, what can I say– I shouldn't have judged it so hastily.
(Not sure if I should call this my "March" selection, or just quietly overlook the three months I've missed...)
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I'm more than a little behind in my original
pledge, even despite my burst of
resolve a few months ago. So let me now return to this effort with a
collection of light four-movement suites from the Italian composer Ottorino
Respighi.
I picked this up a few months ago, in a sort of mourning state. I had been looking for this excellent CD I had, that featured Respighi's "Pines of Rome", "Fountains of Rome", and an excellent performance of Moussorsky's "Pictures at an Exhibition". But it seems that the CD was victim to one of the two times my car was broken into. I cannot find it anywhere, even by mail-order. So I happened across this CD while moping around the Respighi section at the storefront I buy most of my classical from (yes, it's a Tower Records, but it has an excellent classical section).
Funny thing is, after the first two or three listens, I wasn't that keen on it, and had decided not to recommend it. But it was "passable enough" to add to my classical play-list of Ogg's (same function as an MP3, no licensing problems) for a while. And as it would happen, it has really grown on me over the last few weeks. I find myself humming along to the principal themes, which not only means I'm enjoying it, but that it's imprinted on my memory as well. So I've decided to recommend this one, after all. It's Respighi, it's Neville Marriner conducting the Los Angeles Chamber Orchestra, what can I say– I shouldn't have judged it so hastily.
(Not sure if I should call this my "March" selection, or just quietly overlook the three months I've missed...)
]]>For now, my pages are still being statically rendered at regular intervals, which means that comment counts on the pages will only update on the half-hour. Clicking the link, though, should bring up the comments themselves in real-time regardless of clock position. As with the other dynamic parts of this site, I will be working on a solution for this. But at least people can comment for the time being, and I can see if people are even reading any of this...
]]>For now, my pages are still being statically rendered at regular intervals, which means that comment counts on the pages will only update on the half-hour. Clicking the link, though, should bring up the comments themselves in real-time regardless of clock position. As with the other dynamic parts of this site, I will be working on a solution for this. But at least people can comment for the time being, and I can see if people are even reading any of this...
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