My mother's oldest brother suffers from MS, as does a co-worker of mine. My company is sponsoring a team in the walk, which I will be participating with. My personal goal is to raise at least $100 in pledges (a modest goal, but I got into this effort at a later point than most of my co-workers). I would be delighted to reach or exceed that goal.
All pledges or general words of support are greatly appreciated.
]]>My mother's oldest brother suffers from MS, as does a co-worker of mine. My company is sponsoring a team in the walk, which I will be participating with. My personal goal is to raise at least $100 in pledges (a modest goal, but I got into this effort at a later point than most of my co-workers). I would be delighted to reach or exceed that goal.
All pledges or general words of support are greatly appreciated.
]]>So it went a little like this: There were anarchists, quite a few of them. Looking back, it seems like it should have been white supremecists, but I clearly remember it being anarchists. The place was some small, nameless border town. They were armed. At one point, a foreign woman and her children were trying to have a picnic by the river that formed the border between the town and "elsewhere". They were chased of with warning shots. I tried to intervene, that was when I was faced with a nine-foot-tall anarchist.
He was standing over me. I was near-paralyzed with fear. I was defending someone, but I can't remember whom. As is often the case in these sorts of dreams, I was slower and weaker than I usually am. I still don't know what that's supposed to mean— I mean, when I find myself needing to defend myself or others, and suddenly I can barely lift my arms, let alone throw a punch or even run away effectively. But there I am, running, fighting (ineffectually), and all the time trying to protect someone from the nine-foot-tall anarchist.
But I'll be damned if I know what it all meant. I'm certain that they were anarchists; it must have been something that was said, maybe it's just an overwhelming feeling. I also got the impression that they were part of a larger effort to dismantle the goverment. Almost like the weird militias and extreme-rightwing religious zealotry that used to be in the news a lot 5-10 years or so ago.
(For reference, this occurred before the actual fighting started in Iraq, for anyone looking at that possible connection.)
]]>So it went a little like this: There were anarchists, quite a few of them. Looking back, it seems like it should have been white supremecists, but I clearly remember it being anarchists. The place was some small, nameless border town. They were armed. At one point, a foreign woman and her children were trying to have a picnic by the river that formed the border between the town and "elsewhere". They were chased of with warning shots. I tried to intervene, that was when I was faced with a nine-foot-tall anarchist.
He was standing over me. I was near-paralyzed with fear. I was defending someone, but I can't remember whom. As is often the case in these sorts of dreams, I was slower and weaker than I usually am. I still don't know what that's supposed to mean— I mean, when I find myself needing to defend myself or others, and suddenly I can barely lift my arms, let alone throw a punch or even run away effectively. But there I am, running, fighting (ineffectually), and all the time trying to protect someone from the nine-foot-tall anarchist.
But I'll be damned if I know what it all meant. I'm certain that they were anarchists; it must have been something that was said, maybe it's just an overwhelming feeling. I also got the impression that they were part of a larger effort to dismantle the goverment. Almost like the weird militias and extreme-rightwing religious zealotry that used to be in the news a lot 5-10 years or so ago.
(For reference, this occurred before the actual fighting started in Iraq, for anyone looking at that possible connection.)
]]>Canadian rockers detained as potential terrorists while gassing up their tour vans in Oklahoma. Must have been the shifty eyes and flapping heads.
(I had a hard time deciding whether to put this under "funny" or "politics", but I decided on the latter since it's really about the absurdity of our terrorism hysteria.)
]]>Canadian rockers detained as potential terrorists while gassing up their tour vans in Oklahoma. Must have been the shifty eyes and flapping heads.
(I had a hard time deciding whether to put this under "funny" or "politics", but I decided on the latter since it's really about the absurdity of our terrorism hysteria.)
]]>Overall, this is a likable romantic comedy. It's not terribly ground-breaking, and it's no My Big Fat Greek Wedding. But you do come to care about the main characters (much more so than you did in Daredevil), as well as many of the others as well. It's rife with ethic jokes about Eastern Indian immigrants, just as Greek Wedding was with regard to Greek immigrants. And naturally, many of the jokes are things that no non-Indian writer could have gotten away with.
In a nutshell, the main character (Ramu) comes to New York from India, hoping to make a career for himself as an actor. The opening is very touching, showing how he develops his love for American cinema by sneaking out of the Indian musicals his family goes to, and into the showing of dubbed American fare such as Grease in adjacent theaters. But when he gets to New York, he finds that the cousin who claimed to be so successful is in fact driving a cab and living in a tenement building with two other Indian men. After getting frustrated with a waiter's job, he goes out for a film audition for a "swarthy, foriegn-looking male", not realizing it's a porno. Shortly after, he ends up posing as a guru for a party, and accidentally becomes an overnight sensation.
Besides the two main stars, there are nice supporting turns by Marisa Tomei and Christine Baranksi, as well as bit parts by Micheal McKean and Dwight Ewell. As much as I enjoyed it, I don't think anything will be lost by waiting for it to hit video and renting it then.
]]>Overall, this is a likable romantic comedy. It's not terribly ground-breaking, and it's no My Big Fat Greek Wedding. But you do come to care about the main characters (much more so than you did in Daredevil), as well as many of the others as well. It's rife with ethic jokes about Eastern Indian immigrants, just as Greek Wedding was with regard to Greek immigrants. And naturally, many of the jokes are things that no non-Indian writer could have gotten away with.
In a nutshell, the main character (Ramu) comes to New York from India, hoping to make a career for himself as an actor. The opening is very touching, showing how he develops his love for American cinema by sneaking out of the Indian musicals his family goes to, and into the showing of dubbed American fare such as Grease in adjacent theaters. But when he gets to New York, he finds that the cousin who claimed to be so successful is in fact driving a cab and living in a tenement building with two other Indian men. After getting frustrated with a waiter's job, he goes out for a film audition for a "swarthy, foriegn-looking male", not realizing it's a porno. Shortly after, he ends up posing as a guru for a party, and accidentally becomes an overnight sensation.
Besides the two main stars, there are nice supporting turns by Marisa Tomei and Christine Baranksi, as well as bit parts by Micheal McKean and Dwight Ewell. As much as I enjoyed it, I don't think anything will be lost by waiting for it to hit video and renting it then.
]]>Having said that, it's not a great movie. Neither Ben Affleck or Jennifer Garner give you any reason to care about their characters. I thought that the casting of Michael Clarke Duncan as Kingpin was a genius stroke when I first saw the trailers, but he doesn't really get to do much more than stand there and smoke big cigars (and he doesn't even do that well— couldn't they have arranged for James Gandolfini to take a day or two off from The Sopranos to give him a few lessons on being a crime lord?). Probably the best acting was put forward by Colin Farrell as Bullseye. Which is to say, he had the freedom to be totally over-the-top, and as a result is the only one who really seems to be into what's going on.
Overall, worth seeing at a matinee or a cheap-seats theater, just to get all the action and F/X on the big screen. But you won't lose that much if you wait for it on video.
And one more thing: when you have a great ass-crack of a chin like Ben Affleck does, maybe taking a role that has you put on a half-mask that covers everything from the NOSE UPWARDS, and thereby DRAWING ATTENTION TO THAT GREAT PLUMBER'S FOUL residing below your lower lip, isn't such a great idea. Next time, hold out for the Hulk role.
]]>Having said that, it's not a great movie. Neither Ben Affleck or Jennifer Garner give you any reason to care about their characters. I thought that the casting of Michael Clarke Duncan as Kingpin was a genius stroke when I first saw the trailers, but he doesn't really get to do much more than stand there and smoke big cigars (and he doesn't even do that well— couldn't they have arranged for James Gandolfini to take a day or two off from The Sopranos to give him a few lessons on being a crime lord?). Probably the best acting was put forward by Colin Farrell as Bullseye. Which is to say, he had the freedom to be totally over-the-top, and as a result is the only one who really seems to be into what's going on.
Overall, worth seeing at a matinee or a cheap-seats theater, just to get all the action and F/X on the big screen. But you won't lose that much if you wait for it on video.
And one more thing: when you have a great ass-crack of a chin like Ben Affleck does, maybe taking a role that has you put on a half-mask that covers everything from the NOSE UPWARDS, and thereby DRAWING ATTENTION TO THAT GREAT PLUMBER'S FOUL residing below your lower lip, isn't such a great idea. Next time, hold out for the Hulk role.
]]>The book takes its title from the name by which early psychologists were known: alienists. The setting is New York City, 1896, and a small group of people have been assembled to try and comprehend a murderer who has struck mulitple times with very similar characteristics. What we automatically recognize now, 100 years later, as a serial killer. But in turn-of-the-century New York, this isn't something anyone has seen before. The closest anyone comes are those familiar with the Whitechapel murders some years earlier in London.
The cast of characters includes Theodore Roosevelt, then Commissioner of Police for the greater NYC, Lazlo Kriesler, an alienist specializing in troubled and abused children, Sara Howard, a secretary to Roosevelt who is desperate to be the first female detective, and the narrator, James Moore, a police-beat reporter for the New York Times who ends up along for the "adventure" due to his friendship with Roosevelt and Kriesler. The supporting characters are numerous and colorful. In fact, the whole of NYC is in a way a supporting character for the story. Carr's understanding of the city and the period are amazing, and his descriptions (both pleasant and not so) really convey a sense of the place. The visuals he evokes are fantastic, even (or especially) when describing the horrors of the poverty and indifference the city suffered under.
The book took me a while to finish because it is rather lengthy, and I was distracted from regular time spent reading early on. Also, it is a little slow to get going in the first third of the book, so it's easy to put it down after only a little bit of reading. But by the middle, it really starts to pick up. And in the final third, your understanding and compassion for all the characters should be such that putting the book away becomes harder and harder. I read before bed to relax and clear my head, but towards the end I kept wanting to turn the light back on and read just one more chapter, just a few more pages.
If you like suspense and/or mysteries, then I believe you would greatly enjoy reading this book. I look forward to reading more from this author. This one goes straight into my "favorites" list.
]]>The book takes its title from the name by which early psychologists were known: alienists. The setting is New York City, 1896, and a small group of people have been assembled to try and comprehend a murderer who has struck mulitple times with very similar characteristics. What we automatically recognize now, 100 years later, as a serial killer. But in turn-of-the-century New York, this isn't something anyone has seen before. The closest anyone comes are those familiar with the Whitechapel murders some years earlier in London.
The cast of characters includes Theodore Roosevelt, then Commissioner of Police for the greater NYC, Lazlo Kriesler, an alienist specializing in troubled and abused children, Sara Howard, a secretary to Roosevelt who is desperate to be the first female detective, and the narrator, James Moore, a police-beat reporter for the New York Times who ends up along for the "adventure" due to his friendship with Roosevelt and Kriesler. The supporting characters are numerous and colorful. In fact, the whole of NYC is in a way a supporting character for the story. Carr's understanding of the city and the period are amazing, and his descriptions (both pleasant and not so) really convey a sense of the place. The visuals he evokes are fantastic, even (or especially) when describing the horrors of the poverty and indifference the city suffered under.
The book took me a while to finish because it is rather lengthy, and I was distracted from regular time spent reading early on. Also, it is a little slow to get going in the first third of the book, so it's easy to put it down after only a little bit of reading. But by the middle, it really starts to pick up. And in the final third, your understanding and compassion for all the characters should be such that putting the book away becomes harder and harder. I read before bed to relax and clear my head, but towards the end I kept wanting to turn the light back on and read just one more chapter, just a few more pages.
If you like suspense and/or mysteries, then I believe you would greatly enjoy reading this book. I look forward to reading more from this author. This one goes straight into my "favorites" list.
]]>(Update: According to NPR, over 1,000 have been arrested in SF today, and there are numerous reports of destructive activity ranging from purposely snarling traffic to actual rioting and property damage.)
Whatever you feel about the war, it justice or injustice, here's a hint: This is not getting across the message you think it is. Send me hate-mail if you must. Tell me I'm wrong. But don't expect me to change my opinion without some really compelling evidence. If you really think George W. Bush gives a damn how much damage San Francisco sustains, you haven't been paying attention for the last two years. He didn't carry California, he didn't expect to, and I doubt he expects to in 2004. Even if he thought he could, he isn't dumb enough to think that the majority of SF will vote for him.
If you want his attention, wreck Dallas or Houston.
]]>(Update: According to NPR, over 1,000 have been arrested in SF today, and there are numerous reports of destructive activity ranging from purposely snarling traffic to actual rioting and property damage.)
Whatever you feel about the war, it justice or injustice, here's a hint: This is not getting across the message you think it is. Send me hate-mail if you must. Tell me I'm wrong. But don't expect me to change my opinion without some really compelling evidence. If you really think George W. Bush gives a damn how much damage San Francisco sustains, you haven't been paying attention for the last two years. He didn't carry California, he didn't expect to, and I doubt he expects to in 2004. Even if he thought he could, he isn't dumb enough to think that the majority of SF will vote for him.
If you want his attention, wreck Dallas or Houston.
]]>Quoting:
I respect France for sticking to their convictions through all of this. But if they think that this is a danger, they need to be willing to help before it fucking happens. It'll be a little late after the fact, to be deciding to "help out".
What are you guys doing? Do you want to make more of us Americans despise you?
]]>Quoting:
I respect France for sticking to their convictions through all of this. But if they think that this is a danger, they need to be willing to help before it fucking happens. It'll be a little late after the fact, to be deciding to "help out".
What are you guys doing? Do you want to make more of us Americans despise you?
]]>Miles from I-5 and Chapman to apartment: 371
Driving time: 5 hours, 5 minutes (non-stop, one tank of gas)
]]>Miles from I-5 and Chapman to apartment: 371
Driving time: 5 hours, 5 minutes (non-stop, one tank of gas)
]]>But this time around, whether from a good tailwind or whatever, I made it all the way from my apartment in Campbell to Orange, where I'm staying, on one tank of gas. For all it's other faults and foibles, I do like my Saturn.
]]>But this time around, whether from a good tailwind or whatever, I made it all the way from my apartment in Campbell to Orange, where I'm staying, on one tank of gas. For all it's other faults and foibles, I do like my Saturn.
]]>There's now a stand-up comic who is possibly the least-funny I've ever heard. Maher is so completely under-used here.
]]>There's now a stand-up comic who is possibly the least-funny I've ever heard. Maher is so completely under-used here.
]]>A shame, too, since Texas was due to get a free kichenette set for reaching the 300 mark.
(I actually support capital punishment in certain cases, but it seems like Texas has been awfully eager to execute these last 5-10 years.)
]]>A shame, too, since Texas was due to get a free kichenette set for reaching the 300 mark.
(I actually support capital punishment in certain cases, but it seems like Texas has been awfully eager to execute these last 5-10 years.)
]]>Do our elected officials really have nothing better to do with their time or energy? And just how petty and snotty is this? This smacks of playground fighting tactics, of people who are too immature to handle the concept of someone feeling and thinking in a different way.
Though the person who emailed me the link made a good point when he asked the hypothetical question, "Will they serve frog's legs?" What about sauerkraut? Or even hot dogs, for that matter? Those foods are actually closer in ethnic relation than french fries or french toast are to France.
Makes me want to order french toast on general principle, diet be damned.
]]>Do our elected officials really have nothing better to do with their time or energy? And just how petty and snotty is this? This smacks of playground fighting tactics, of people who are too immature to handle the concept of someone feeling and thinking in a different way.
Though the person who emailed me the link made a good point when he asked the hypothetical question, "Will they serve frog's legs?" What about sauerkraut? Or even hot dogs, for that matter? Those foods are actually closer in ethnic relation than french fries or french toast are to France.
Makes me want to order french toast on general principle, diet be damned.
]]>On the plus side, I'll be out of here within a few more minutes.
]]>On the plus side, I'll be out of here within a few more minutes.
]]>
My musical pick for February (albeit late) is this collection of works
by the Mexican composer Silvestre Revueltas. Although the Amazon page I link
to simply calls the CD
"Music
Of Silvestre Revueltas", the CD is actually titled Sensemaya, which
is also the title of the first track. The recording is by the Los Angeles
Philharmonic and the Los Angeles Philharmonic New Music Group, both under the
direction of Esa-Pekka Salonen.
I learned about this composer one Sunday evening while driving to a friend's for dinner. I was listening to NPR, and the weekly Latino news program Latino USA. Had I left the apartment that evening even five minutes earlier, I'd have arrived before the story about this composer came on. The excerpts they played got my attention. The reporter compared his style to Stravinsky, but I heard what sounded to my ears like a strong Aaron Copeland influence, another of my favorites. I made a note to find any recording I could, to see if I would enjoy full pieces as much as these excerpts.
Like I said, there's (what seems to me to be) a strong Copeland influence at work, and certainly some Stravinsky as well. But the music is very original, very unique in style and flavor. I especially liked tracks 3-6, the 1939 composition Las Noche de los Mayas. There's no track on the CD I don't like, in fact. The title track is probably my next favorite. The three-movement Homenaje a Federico Garcia Lorca is considered one of his most creative works.
Another highly-recommended recording, and with this one I truly met my goal of introducing myself to something completely new, that I hadn't heard of at all before. I hope my March selection is just nearly as good.
]]>
My musical pick for February (albeit late) is this collection of works
by the Mexican composer Silvestre Revueltas. Although the Amazon page I link
to simply calls the CD
"Music
Of Silvestre Revueltas", the CD is actually titled Sensemaya, which
is also the title of the first track. The recording is by the Los Angeles
Philharmonic and the Los Angeles Philharmonic New Music Group, both under the
direction of Esa-Pekka Salonen.
I learned about this composer one Sunday evening while driving to a friend's for dinner. I was listening to NPR, and the weekly Latino news program Latino USA. Had I left the apartment that evening even five minutes earlier, I'd have arrived before the story about this composer came on. The excerpts they played got my attention. The reporter compared his style to Stravinsky, but I heard what sounded to my ears like a strong Aaron Copeland influence, another of my favorites. I made a note to find any recording I could, to see if I would enjoy full pieces as much as these excerpts.
Like I said, there's (what seems to me to be) a strong Copeland influence at work, and certainly some Stravinsky as well. But the music is very original, very unique in style and flavor. I especially liked tracks 3-6, the 1939 composition Las Noche de los Mayas. There's no track on the CD I don't like, in fact. The title track is probably my next favorite. The three-movement Homenaje a Federico Garcia Lorca is considered one of his most creative works.
Another highly-recommended recording, and with this one I truly met my goal of introducing myself to something completely new, that I hadn't heard of at all before. I hope my March selection is just nearly as good.
]]>Despite a somewhat presumptious title, this recording offers a really amazing range of musical textures. The first disc contains the full Carnival of the Animals suite, as well as my personal favorite piece of his, Danse Macabre. The Danse is a great piece of music to play for any of your more goth friends. The other tracks on disc 1 are three each for the Violin Concerto no. 3 in B (Opus 61) and Piano Concerto no. 2 in G (Opus 22). These are also great works — I've actually never been a big fan of solo violin, but the violin concerto is really gripping.
Disc 2 is no less amazing, with an Intro and Rondo Capriccioso for the first track, that is another violin piece I really enjoyed. There is a rendition of "The Swan" from Carnival as a cello solo, followed by another piano concerto, this time no. 4 in C (Opus 44). The last 4 tracks of disc 2 contain the Symphony no. 3 in C (Opus 78), "Organ". This piece is a great way to finish the collection. The final movement (featuring the organ) is based around a principal theme many people will recognize from a surprise blockbuster movie from 1995.
This is a recording I've had in my collection for almost 4 years. It was stolen about two years ago when my car was broken into and all CDs in the front seat scooped up with the stereo. I was lucky to have found a replacement in short order. I never get tired of either of these two discs.
]]>Despite a somewhat presumptious title, this recording offers a really amazing range of musical textures. The first disc contains the full Carnival of the Animals suite, as well as my personal favorite piece of his, Danse Macabre. The Danse is a great piece of music to play for any of your more goth friends. The other tracks on disc 1 are three each for the Violin Concerto no. 3 in B (Opus 61) and Piano Concerto no. 2 in G (Opus 22). These are also great works — I've actually never been a big fan of solo violin, but the violin concerto is really gripping.
Disc 2 is no less amazing, with an Intro and Rondo Capriccioso for the first track, that is another violin piece I really enjoyed. There is a rendition of "The Swan" from Carnival as a cello solo, followed by another piano concerto, this time no. 4 in C (Opus 44). The last 4 tracks of disc 2 contain the Symphony no. 3 in C (Opus 78), "Organ". This piece is a great way to finish the collection. The final movement (featuring the organ) is based around a principal theme many people will recognize from a surprise blockbuster movie from 1995.
This is a recording I've had in my collection for almost 4 years. It was stolen about two years ago when my car was broken into and all CDs in the front seat scooped up with the stereo. I was lucky to have found a replacement in short order. I never get tired of either of these two discs.
]]>Well, it's March now. Clearly I'm behind in my quest for a cultural evolution. I suppose I had best be about addressing this.
]]>Well, it's March now. Clearly I'm behind in my quest for a cultural evolution. I suppose I had best be about addressing this.
]]>"If you want to change the government in Iraq, you should really send in the Supreme Court."
]]>"If you want to change the government in Iraq, you should really send in the Supreme Court."
]]>